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Through Volume 31, Issue 1 (February 2008) - updated February 19, 2008.
T Takasugi, Fumiko. "The Development of Underground Musicians in a Honolulu Scene, 1995-1997." 26.1 (2003): 73-94. Tanner, Julian. "Pop, Punk and Subcultural Solutions." 6.1 (1978): 68-71. Taylor, Timothy D. "Re-signing Mass Culture: Billy Bragg's 'There is Power in a Union.'" 15.2 (1991): 33-48. Teixeira, JoÛo Gabriel L.C. "National Identity in Brazilian Popular Music." 26.1 (2003): 31-36. Textor, Alex Robertson. "A Close Listening of the Pet Shop Boys' 'Go West.'" 18.4 (1994): 91-95. Thaxton, Lyn, and Charles Jaret. "Country Music and Its City Cousin: A Comparative Analysis of Urban and Rural Country Music." 6.4 (1979): 307-15. Thomas, Lorenzo. "A Sense of Community: Blues Music as Primer for Urbanization." 14.2 (1990): 77-86. Thompson, Stacy. "Crass Commodities." 27.3 (2004): 307-322. Thompson, Stephen I. "Forbidden Fruit: Interracial Love Affairs in Country Music." 13.2 (1989): 23-38. -----. "American Country Music in Japan." 16.3 (1992): 31-38. Thrush, John C., and George S. Paulus. "The Concept of Death in Popular Music: A Social Psychological Perspective." 6.3 (1979): 219-28. Tillman, Robert H. "Punk Rock and the Construction of 'Pseudo-Political' Movements." 7.3 (1980): 165-75. Titus, A. Costandina, and Jerry L. Simich. "From 'Atomic Bomb Baby' to 'Nuclear Funeral': Atomic Music Comes of Age, 1945-1990." 14.4 (1990): 11-38. Toivonen, Timo, and Antero Laiho. "'You Don't Like Crazy Music': The Reception of Elvis Presley in Finland." 13.2 (1989): 1-22. Tomaselli, Keyan G., and Bob Boster. "Mandela, MTV, Television and Apartheid." 17.2 (1993): 1-20. Trechsel, Stephen S., Peter Hesbacher, Paul Snyderman, and Bruce Anderson. "Anthology Albums: Do They Promote or Replace Regular Product?" 7.4 (1980): 245-51. Tunnell, Kenneth D. "Blood Marks the Spot Where Poor Ellen Was Found: Violent Crime in Bluegrass Music." 15.3 (1991): 95-116.
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