Through Volume 31, Issue 1 (February 2008) - updated February 19, 2008.

A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | R | S | T | U-V | W | Y

R

Radwan, Jon. "A Generic Approach to Rock Film." 20.2 (1996): 155-72.

Regester, Charlene. "The Construction of an Image and the Deconstruction of a Star -- Josephine Baker Racialized, Sexualized, and Politicized in the African American Press, the Mainstream Press, and FBI Files." 24.1 (2000): 31-84.

Regis, Humphrey A. "Calypso, Reggae and Cultural Imperialism by Reexportation." 12.1 (1988): 63-74.

Reed, Teresa. "Elder Eatmore and Deacon Jones: Folk Religion as Humor in Black Secular Recordings, 1918-1961." 25.3-4 (2001): 25-44

Reid, John E., Jr., and Joseph R. Dominick. "A Comparative Analysis of Christian and Mainstream Rock Music Videos." 17.3 (1993): 87-98.

Reid, John Edgar, Jr. "The Use of Christian Rock Music by Youth Group Members." 17.2 (1993): 33-46.

Rice, Ronald E. "The Content of Popular Recordings." 7.3 (1980): 140-58.

Rieger, Jon H. "The Coming Crisis in the Youth Music Market." 4.1 (1975): 19-35.

-----. "The Coming Crises in the Youth Market." 6.2 (1978): 185-201.

Rieger, Jon H., and Brian Rublein. "Whiteman as the Don Quixote of Jazz." 3.1 (1974): 3-23.

Riggs, Peter. "Up From Underground: Sound Technologies, Independent Musicianship, and Cultural Change in China and the Soviet Union." 15.1 (1991): 1-24.

-----. "Country Reports China." 16.4 (1992): 11-36.

-----. "Rock and Roll in China: A Samizdat Document." 16.4 (1992): 37-40.

Roberts, Robin. "Independence Day: Feminist Country Music Videos." 20.1 (1996): 135-54.

Robinson, Michael G. and Timothy K. Winkle, "The Innocents Abroad: S Club 7's America." 27.3 (2004): 291-306.

Rodnitzky, Jerome. "Also Born in the USA: Bob Dylan's Outlaw Heroes and the Real Bob Dylan." 12.2 (1988): 37-44.

-----. "A Rocky Road to Respect: Trends in Academic Writing on Popular Music and Popular Music and Society." 21.1 (1997): 99-104.

Rodnitzky, Jerome L. "The Sixties Between the Microgrooves: Using Folk and Protest Music to Understand American History, 1963-1973." 23.4 (1999): 105-122.

Rollefson, J. Griffith. "Tom Ze's Fabrication Defect and the 'Esthetics of Plagiarism': A Postmodern/Postcolonial 'Cannibalist Manifesto'." 30.3 (2007): 305-328.

Romanowski, William D. "Move over Madonna: The Crossover Career of Gospel Artist Amy Grant." 17.2 (1993): 47-68.

Roos, Michael. "Fixin' to Die: The Death Theme in the Music of Bob Dylan." 8.3-4 (1982): 103-16.

Rose, Tricia. "Orality and Technology: Rap Music and Afro-American Cultural Resistance." 13.4 (1989): 35-44.

Rosenbaum, Jill, and Lorraine Prinsky. "Sex, Violence and Rock 'n' Roll: Youths' Perceptions of Popular Music." 11.2 (1987): 79-90.

Rosenstone, Robert A. "Mr. Jones, the Professors, and the Freaks (or Every Man His Own Philosopher King): The Philosophical Implications of Rock." 2.1 (1972): 56-61.

Rosenthal, Rob. "Serving the Movement: The Role(s) of Music." 25.3-4 (2001): 11-24.

Ross, Peter G. "An Organizational Analysis of the Emergence, Development, and Mainstreaming of British Punk Rock Music." 20.1 (1996): 155-74.

-----. "Cycles in Symbol Production Research: Foundations, Applications, and Future Directions." 28.4 (2005): 473-488.

Rouner, Donna. "Rock Music Use as a Socializing Function." 14.1 (1990): 97-107.

Ruttkowski, Wolfgang. "Cabaret Songs." 25.3-4 (2001): 45-72

Ryan, John, Legare H. Calhoun, and William M. Wentworth. "Gender of Genre? Emotion Models in Commercial Rap and Country Music." 20.2 (1996): 121-54.

Ryan, Robin. "Jamming on the Gumleaves in the Bush 'Down Under': Black Tradition, White Novelty?" 26.3 (2003): 285-304.