Through Volume 31, Issue 1 (February 2008) - updated February 19, 2008.

A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | R | S | T | U-V | W | Y

N

Neal, Mark Anthony. "Sold Out on Soul: The Corporate Annexation of Black Popular Music." 21.3 (1997): 117-136.

Nehring, Neil. "The Situationist International in American Hardcore Punk, 1982-2002." 29.5 (2006): 519-530.

-----. "'Everyone's Given Up and Just Wants to Go Dancing': From Punk to Rave in the Thatcher Era." 30.1 (2007): 1-18.

Nelson, Michael. "Ol' Red, White, and Blue Eyes: Frank Sinatra and the American Presidency." 24.4 (2000): 79-102.

Neustadter, Roger. "The Obvious Child, the Symbolic Use of Childhood in Contemporary Popular Music." 18.1 (1994): 51-68.

Neuenfeldt, Karl Wm. "Sun, Sea, Sex, and Senioritas: 'Shoothand' Images of Ethnicity, Ethos, and Gender in Country Songs Set in the Circum-Carribean." 15.2 (1991): 1-21.

Newlyn, Andrea K. "The Power to Change: Gender Essentialism, Identity Politics, and the Judds." 27.3 (2004): 273-290.

Newsom, Daniel. "Rock's Quarrel with Tradition: Popular Music's Carnival Comes to the Classroom." 22.3 (1998): 1-20.

Nexica, Irene J. "Music Marketing: Tropes of Hybrids, Crossovers, and Cultural Dialogue Through Music." 21.3 (1997): 61-82.

Nicoll, Janet L., and G. Douglas. "Political Campaign Songs from Tippecanoe to '72." 1.4 (1972): 193-209.

North, Adrian C., and David J. Hargreaves. "Eminence in Pop Music." 19.4 (1995): 41-66.

Nye, Russell B. "A Word about Whiteman." 1.4 (1972): 231-41.

Nye, William P. "The Social Organization of Time in a Resort Band: Or, 'Moments to Remember.'" 10.4 (1986): 63-72.

-----. "Theodor Adorno on Jazz: A Critique of Critical Theory." 12.4 (1988): 69-74.

-----. "The Heroic Boon of Charlie Parker." 15.4 (1991): 25-32.