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Through Volume 31, Issue 1 (February 2008) - updated February 19, 2008.
F Fairchild, Charles. "'Alternative' Music and the Politics of Cultural Autonomy: The Case of Fugazi and the D.C. Scene." 19.1 (1995): 17-35. -----. "Building the Authentic Celebrity: The 'Idol' Phenomenon in the Attention Economy." 30.3 (2007): 355-376. Faller, Greg S. "From Sitney to TV: Classical Experimental Style in Contemporary Music Videos." 20.1 (1996): 175-90. faris, marc. "'That Chicago Sound': Playing with Identity in Underground Rock." 27.4 (2004): 429-454. Farmelo, Allen. "Another History of Bluegrass: The Segregation of American Popular Music, 1820-1900." 25.1-2 (2001): 179-204 Farrington, Holly E. "Narrating the Jazz Life: Three Approaches to Jazz Autobiography." 29.3 (2006): 375-386. Fenn, John, and Alex Perullo. "Language Choice and Hip Hop in Tanzania and Malawi." 24.3 (2000): 73-94. Ferreira, Christine. "Like a Virgin: The Men Don't Know, but the Little Girls Understand." 11.2 (1987): 5-16. -----. "The Soundtrack of our Lives." 13.4 (1989): 1-6. Ferriano, Frank. "Harry Warren: Unsung Hollywood Tunesmith." 12.4 (1988): 7-14. Fish, Duane R. "Serving the Servants: Analysis of the Music of Kurt Cobain." 19.2 (1995): 87-102. Fisher, James. "Rediscovering the Art of Al Jolson, the Films of 'The World's Greatest Entertainer.'" 17.3 (1993):19-32. Fitzgerald, Jon. "Lennon-McCartney and the 'Middle Eight.'" 20.4 (1996): 41-52. -----. "Songwriters in the U.S. Top Forty 1963-1966." 21.4 (1997): 85-110. -----. "When the Brill Building Met Lennon-McCartney: Continuity and Change in the Early Evolution of the Mainstream Pop Song." 19.1 (1995): 59-78. Fleiner, Carey. "Rebellion or Transformation: Dave Davies's Spiritual Journey from the 1960s to the Present--A Contextual Analysis." 29.2 (2006): 223-240. Flippo, Chet. "The History of Rolling Stone: Part II." 3.4 (1974): 258-80. -----. "The History of Rolling Stone: Part III." 3.4 (1974): 281-98. -----. "The Austin Scene and Willie Nelson: A Reconsideration." 6.4 (1979): 280-83. Florine, Jane L. "Carlos Jimenez: Reflecting the Power of the People in Argentine Cuarteto Music." 22.3 (1998): 61-114. Flynn, Leisa Reinecke, Jacqueline Kilsheimer Eastman, and Stephen J. Newell. "Predicting Rock Music Consumption Behaviors of Undergraduates: Demographic versus Psychological Variables." 17.4 (1993): 15-30. Foret, Miroslav. "Music Preferences of Youth in Czechoslovak Socialist Republic in the 1980s." 13.3 (1989): 1-4. -----. "Some Theoretical-Methodological Problems of the Research on Popular Music." 15.3 (1991): 1-10. -----. "Sociological Aspects of Popular Music in Czechoslovakia in the Eighties." 14.4 (1990): 49-56. FornŠs, Johan. "The Words of Music." 26.1 (2003): 37-52. FornŠs, Johan, Ulf Lindberg, and Ove Sernhede. "Under the Surface of Rock --- Youth Culture and Late Modernity." 14.3 (1990): 1-26. Forsyth, Alasdair and Martin Cloonan. "Alco-Pop? The Use of Popular Music in Glasgow Pubs." 31.1 (2008): 57-78. Fox, Mark A. "E-Commerce Business Models for the Music Industry." 27.2 (June 2004): 201-220. -----. "Market Power in Retailing: The Case of Wal-Mart." 28.4 (2005): 501-520. Fox, Mark A. and Paul Kochanowski. "Models of Superstardom: An Application of the Lotka and Yule Distributions." 27.4 (2004): 507-522. -----."Multi-Stage Markets in the Recording Industry." 30.2 (2007): 173-196. Fox, William S., and Michael Wince. "Feminist Attitudes and Preferences for a Feminist 'Message' Song: A Research Note." 4.3 (1975): 156-69. Freudiger, Patricia. "Love Lauded and Love Lamented: Men and Women in Popular Music." 6.1 (1978): 1. Friedlander, Paul David. "Rocking the Yangtze: Impressions of Chinese Popular Music and Technology." 14.1 (1990): 63-74. Friesen, Bruce K., and Jonathon S. Epstein. "Rock 'n' Roll Ain't Noise Pollution: Artistic Conventions and Tensions in the Major Subgenres of Heavy Metal Music." 18.3 (1994): 1-18. Fryer, Paul. "'Everybody's on Top of the Pops': Popular Music on British Television 1960-1985." 21.2 (1997): 71-90. -----. "'Everybody's on Top of the Pops': Popular Music on British Television 1960-1985." (reprinted) 21.3 (1997): 153-171. -----. "Local Styles and Country Music: An Introductory Essay." 8.3-4 (1982): 63-76. -----. "It Hurts Me Too: This Is Blues and the Late 1960s British Blues Boom." 9.2 (1983): 45-53. -----. "Punk and the New Wave of British Rock: Working Class Heroes and Art School Attitudes." 10.4 (1986): 1-16. Fulk, Mark K., and Angela B. Howard. "What We Laugh about When We Laugh about Stephen Sondheim's Assassins." 19.3 (1995): 105-24.
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