Through Volume 31, Issue 1 (February 2008) - updated February 19, 2008.

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E

Eberhart, George M. "Stack Lee: The Man, the Music, and the Myth." 20.1 (1996): 1-70.

Edwards, Emily D., and Michael W. Singletary. "Mass Media Images in Popular Music: An Examination of Media Images in Student Music Collections and Student Attitudes Toward Media Performance." 9.4 (1984): 17-26.

Elliott, James Isaac. "From Partnership to Profits: The Role of Cowriting with Recording Artists as a Strategic Plan for Copyright Exploitation." 26.2 (2003): 169-182.

-----. "From Demo to Hit: The Biography of Three Songs by Country Songwriter Tom Douglas." 28.1 (2005): 3-14.

Ellison, Mary. "Consciousness of Poverty in Black Music." 10.2 (1985): 17-46.

-----. "War --- It's Nothing But a Heartbreak: Attitudes to War in Black Lyrics." 10.4 (1986): 29-42.

-----. "Charmaine Neville, the Mardi Gras Indians, and the Music of Oppositional Politics." 18.4 (1994): 19-40.

-----. "Subverting Commodification: Delfeayo Marsalis and Jazz." 24.4 (2000): 31-62.

-----. "Dr. Michael White and New Orleans Jazz: Pushing Back Boundaries While Maintaining the Tradition." 28.5 (2005): 619-638.

Endres, Thomas G. "A Dramatistic Analysis of Family Themes in the Top 100 Country Songs of 1992." 17.4 (1993): 31-48.

Etling, Laurence W. "Al Jarvis: Pioneer Disc Jockey." 23.3 (1999): 41-52.

Evans, Jeff. "Something New: Music as Re-Vision in Jonathan Demme's Something Wild." 19.3 (1995): 1-18.

Everett, Holly. "'The Association That I Have with This Guitar Is My Life': The Guitar as Artifact and Symbol." 26.3 (2003): 33-350.