Through Volume 31, Issue 1 (February 2008) - updated February 19, 2008.

A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | R | S | T | U-V | W | Y

D

Daley, Mike. "'Why Do Whites Sing Black?': The Blues, Whiteness, and Early Histories or Rock." 26.2 (2003) 161-168.

Danaher, William F., and Stephen P. Blackwelder. "The Emergence of Blues and Rap: A Comparison and Assessment of the Context, Meaning, and Message." 17.4 (1993): 1-12.

Danker, Frederick E. "Country Music and the Mass Media: The Johnny Cash Television Show." 2.2 (1973): 124-44.

Darling-Wolf, Fabienne. "SMAP, Sex, and Masculinity: Constructing the Perfect Female Fantasy in Japanese Popular Music." 27.3 (2004): 357-370.

Davis, Donald M., and Joseph R. Dominick. "Reactance Theory and Record Warning Labels: The X Factor." 15.2 (1991): 79-86.

Dawe, Kevin. "Lyres and the Body Politic: Studying Musical Instruments in the Cretan Musical Landscape." 26.3 (2003): 263-284.

DeChaine, D. Robert. "Mapping Subversion: Queercore Music's Playful Discourse of Resistance." 2.4 (1997): 7-38.

De Meyer, Gust. "Cultural Globalization and Local Identity: The Case of Belgian Popular Music." 20.1 (1996): 334-39.

Debus, Allen G. "Elsie Janis, the First World War and the Introduction of Jazz to England." 2.4 (1973): 334-39.

Dechert, S. Renee. "'Some Things Never Go Out of Style': Recorded Music and the Rhetorical Analysis." 23.4 (1999): 45-60.

Deihl, E. Roderick, Michael J. Schneider, and Kenneth Petress. "Dimensions of Music Preference: A Factor Analytic Study." 9.3 (1983): 41-50.

Dempsey, J.M. "McCartney at 60: A Body of Work Celebrating Home and Hearth." 27.1 (2004): 27-40.

Denisoff, R. Serge. "An Introduction." 1.1 (1971): 3-5.

-----. "Spinoff." 1.1 (1971): 51-52.

-----. "The Evolution of Pop Music Broadcasting, 1920-1972." 2.3 (1973): 202-26.

-----. "Interview: John Fogerty." 2.3 (1973): 255-66.

-----. "Interview: Waylon Jennings with R. Serge Denisoff." 3.2 (1974): 118-38.

-----. "An Interview with Johnny Rodriquez." 4.2 (1975): 100-10.

-----. "Nashville Rebels: Myth or Reality." 5.1 (1977): 79-88.

-----. "Popular Music and Society: A Report." 6.1 (1978): 1.

-----. "Preface." 6.2 (1978): 103-04.

-----. "In Retrospect: A Look at the First Six Volumes." 7.1 (1979): 2-7.

-----. "The Jazz Shaft: Comment on Skipper." 8.3-4 (1982): 121-22.

-----. "Music Videos and the Rock Press." 10.1 (1985): 59-62.

-----. "Woodrow Wilson Guthrie, 1912-1967." 11.1 (1985): 75-78.

-----. "Psychographics and MTV: An Interview with Marshall Cohen." 11.3 (1987): 27-34.

-----. "Wodlinger v. MTV: Sherman-Clayton Antitrust or Publicity Seeking." 11.3 (1987): 47-56.

-----. "Historicism and MTV: E. Ann Kaplan's Rocking Around the Clock." 12.2 (1988): 63-68.

-----. "The Misadventures of a Rock Film: 'Eddie and the Cruisers.'" 12.3 (1988): 39-56.

-----. "A Hard Day's Night in Hell: Sid and Nancy." 13.3 (1989): 63-74.

-----. "The Not So Holy Batman: The Film." 14.3 (1990): 113-22.

Denisoff, R. Serge, and David Fandray. "'Hey, Hey Woody Guthrie I Wrote You a Song': The Political Side of Bob Dylan." 5.1 (1977): 31-42.

Denisoff, R. Serge, and John Bridges. "The Battered and Neglected Orphan: Popular Music Research and Books." 8.1 (1981): 43-59.

-----. "The Sociology of Popular Music: A Review." 9.1 (1983): 51-62.

Denisoff, R. Serge, and William D. Romanowski. "MTV Becomes Pastiche: "Some People Just Don't Get It!" 14.1 (1990): 47-62.

Denski, Stan. "One Step Up and Two Steps Back: A Heuristic Model for Popular Music and Communication Research." 13.1 (1989): 9-22.

-----. "Inarticulate Speech of the Heart: Limits and Insights in the Popular Interview Literature." 15.3 (1991): 11-30.

Den Tandt, Christophe. "From Craft to Corporate Interfacing: Rock Musicianship in the Age of Music Television and Computer-Programmed Music." 27.2 (June 2004): 139-160.

Dent, Alexander Sebastian. "Cross-Cultural 'Countries': Covers, Conjecture, and the Whiff of Nashville in Música Sertaneja (Brazilian Commercial Country Music)." 28.2 (2005): 207-228.

DeWitt, Mark. "The Diatonic Button Accordion in Ethnic Context: Idiom and Style in Cajun Dance Music." 26.3 (2003): 305-330.

Dixon, Richard D. "Concept and Coliseum: A Report Concerning Leisure Activity and Locale." 6.3 (1979): 241-51.

-----. "Music in the Community: A Survey of Who Is Paying Attention." 7.1 (1979): 37-56.

-----. "Musical Taste Cultures and Taste Publics Revisited: A Research Note of New Evidence." 8.1 (1981): 2-9.

-----. "LP Chart Careers: Indices and Predictors of Ascent and Descent in Popularity." 8.3-4 (1982): 19-44.

Dixon, Richard D., Fred R. Ingram, Richard M. Levinson, and Catherine L. Putnam. "The Cultural Diffusion of Punk Rock in the United States." 6.3 (1979): 210-18.

Dixon, Richard R. "Suggested Scales for the Measurement of Musical Involvement and Genre Tastes." 7.4 (1980): 223-44.

Doughty, Howard A. "Rock: A Nascent Protean Form." 2.2 (1973): 155-65.

Dowdy, Michael. "Live Hip Hop, Collective Agency, and 'Acting in Concert'." 30.1 (2007): 75-92.

Doyle, Bob. "Bluegrass and the Custom Record: My Point of View." 6.4 (1979): 331-33.

Drew, Rob. "Mixed Blessings: The Commercial Mix and the Future of Music Aggregation." 28.4 (2005): 533-552.

Drewett, Michael. "The Eyes of the World Are Watching Now: The Political Effectiveness of 'Biko' by Peter Gabriel." 30.1 (2007): 39-52.

Dueck, Jonathan. "Crossing the Street: Velour 100 and Christian Rock." 24.2 (2000): 127-148.

Duffett, Mark. "Transcending Audience Generalizations: Consumerism Reconsidered in the Case of Elvis Presley Fans." 24.2 (2000): 75-92.

-----. "A Strange Blooding in the Ways of Popular Culture? Party at the Palace as Hegemonic Project." 27.4 (2004): 489-506.

Dukes, Duane, and Jerry M. Lewis. "The Public Perception of Rock Concert Violence." 8.3-4 (1982): 45-54.

Dunbar-Hall, Peter. "Rock Songs as Messages: Issues of Health and Lifestyle in Central Australian Aboriginal Communities." 20.2 (1996): 43-68.

-----. "'Alive and Deadly': A Sociolinguistic Reading of Rock Songs by Australian Aboriginal Musicians." 27.1 (2004): 41-48.

Dunbar-Hall, Peter and Chris Gibson. "Singing about Nations within Nations: Geopolitics and Identity in Australian Indigenous Rock Music." 24.2 (2000): 45-74.

Dunlap, James. "Through the Eyes of Tom Joad: Patterns of American Idealism, Bob Dylan, and the Folk Protest Movement." 29.5 (2006): 549-574.

Dunne, Michael. "'Tore Down A La Rimbaud': Van Morrison's References and Allusions." 24.4 (2000): 15-30.

Dunne, Sara. "Randy Newman and the Extraordinary Moral Position." 16.3 (1992): 53-61.

Duxbury, Janell R. "Shakespeare Meets the Backbeat: Literary Allusion in Rock Music." 12.3 (1988): 19-24.