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Forthcoming Articles

Through Volume 31, Issue 1 (February 2008) - updated February 19, 2008.

A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | R | S | T | U-V | W | Y

C

Carlson, Thomas C. "The Comeback Corpse in Hollywood: Mystery Train, True Romance, and the Politics of Elvis in the '90s." 22.2 (1998): 1-10.

Carney, Court. "New Orleans and the Creation of Early Jazz." 29.3 (2006): 299-316.

Carney, George O. "Cowabunga! Surfer Rock and the Five Themes of Geography." 23.4 (1999): 3-30.

Carter, Dale. "'What's Still Left of My Memory': Recovery and Reorientation in the Songs of Van Dyke Parks." 27.4 (2004): 387-406.

Cary, Michael D. "Indepth Issue on the Blues: Political Dimensions of the Blues." 14.2 (1990): 37-48.

Caw, Tom S. "Popular Music Studies Information Needs: You Just Might Find..." 27.1 (2004): 49-54.

Cepeda, Marÿa Elena. "Mucho loco for Ricky Martin; or, The Politics of Chronology, Crossover, and Language Within the Latin(o) Music 'Boom'." 24.3 (2000): 55-72.

Chell, Samuel L. "Jazz Aesthetics and Modern Literacy Criticism." 15.3 (1991): 67-74.

Christenson, Peter. "Preadolescent Perceptions and Interpretations of Music Videos." 16.3 (1992): 63-74.

Christenson, Peter, and Thomas R. Lindlof. "The Role of Audio Media in the Lives of Children." 9.3 (1983): 25-40.

Clark, William J. "The Kids Really Fit: Rock Text and Rock Practice in Bill Haley's Rock Around the Clock." 18.4 (1994): 57-76.

Cloonan, Martin. "Popular Music and Censorship in Britain: An Overview." 19.3 (1995): 75-104.

-----. "State of the Nation: 'Englishness,' Pop, and Politics in the Mid-1990s." 21.2 (1997): 47-70.

Cogan, Brian and Gina Cogan. "Gender and Authenticity in Japanese Popular Music, 1980-2000." 29.1 (2006): 69-90.

Condren, Robert. "Let It Bleed --- The Music in Goodfellas." 15.3 (1991): 131-36.

Cooper, B. Lee. "Discographies of Contemporary Music, 1965-1980: A Selected Bibliography." 7.4 (1980): 253-69.

-----. "'It's A Wonder I Can Think At All': Vinyl Images of American Public Education, 1950-1980." 9.4 (1984): 47-66.

-----. "Bear Cats, Chipmunks, and Slip-In Mules: The 'Answer Song.' In Contemporary American Recordings, 1950-1985. 12.3 (1988): 57-78.

-----. "Rhythm 'n' Rhymes: Character and Theme Images from Children's Literature in Contemporary Recording, 1950-1985." 13.1 (1989): 53-72.

-----. "Repeating Hit Tunes, A Cappella Style: The Persuasions as Song Revivalists, 1967-1982." 13.3 (1989): 17-28.

-----. "Lee Rick Nelson." 13.4 (1989): 77-82.

-----. "From Anonymous Announcer to Radio Personality, from Pied Piper to Payola: The American Disc Jockey, 1950-1970." 14.4 (1990): 89-96.

-----. "Having a Screaming Ball in Dracula's Hall." 15.1 (1991): 103-06.

-----. "I'll Fight for God, Country, and My Baby: Persistent Themes in American Wartime Songs." 16.2 (1992): 95-112.

-----. "Sultry Songs as High Humor." 17.1 (1993): 71-86.

-----. "The Coasters: What Was the Secret of Their Success?" 17.2 (1993): 115-18.

-----. "Jackie Wilson --- Mr. Excitement?..." 17.2 (1993): 119-22.

-----. "Awarding an 'A' Grade to Heavy Metal." 17.3 (1993): 99-102.

-----. "The Drifters: From Gospel Glory to Rock Royalty." 17.4 (1993): 127-30.

-----. "Popular Music in Print." 19.4 (1995): 105-12.

-----. "Covering Recordings by Dot Artists." 20.2 (1996): 199-218.

-----. "Revisiting Rhythm and Blues Royalty." 20.3 (1996): 119-22.

-----. "It's Still Rock and Roll to Me: Reflections on the Evolution of Popular Music and Rock Scholarship." 21.1 (1997): 109-16.

-----. "Wise Men Never Try: A Discography of Fool Songs, 1945-1995." 21.2 (1997): 115-132.

-----. "A Telephone Song Discography." 21.4 (1997): 111-122.

-----. "Teaching with Popular Music Resources: A Bibliography of Interdisciplinary Instructional Approaches." 22.2 (1998): 85-116.

-----. "Women's Studies and Popular Music Stereotypes." 23.4 (1999): 31-44.

-----. "Bibliography of Popular Music Teaching Resources." 23.4 (1999): 123-129.

-----. "The Sky is Crying: Tales Told in Tearful Tunes." 27.1 (2004): 107-116.

-----. "Ray Charles (1930-2004): Reflections on Legends." 28.1 (2005): 111-112.

-----. "Tribute Discs, Career Development, and Death: Perfecting the Celebrity Product from Elvis Presley to Stevie Ray Vaughan." 28.2 (2005): 229-248.

Cooper, B. Lee, Donald E. Walker, and William Schurk. "The Decline of Contemporary Baseball Heroes in American Popular Recordings." 15.2 (1991): 49-62.

Cooper, B. Lee, and William L. Schurk. "Processing Health Care Images from Popular Resources: Cigarettes and Medical Metaphors in Contemporary Recordings." 17.4 (1993): 105-24.

-----. "You're the Cream in My Coffee: A Discography of Java Jive." 23.2 (1999): 91-100.

Cooper, B. Lee, Patty Falk, and William L. Schurk. "Accordions, Banjos, Coronets...and Zithers: Sound Recording Archives and Musical Instruments." 26.3 (2003): 387-398.

Crane, Jonathan L. "The Long Arm of the Law and the Big Beat." 16.3 (1992): 1-8.

Cullen, Jim. "Bruce Springsteen's Ambiguous Musical Politics in the Reagan Era." 16.2 (1992): 1-22.

Cusic, Don. "Why Music Business Programs Should Not Be in Music Departments." 15.3 (1991): 117-22.

-----. "Basic Differences: The British and American Music Industries." 15.4 (1991): 47-56.

-----. "Qwerty, Nashville, and Country Music." 18.4 (1994): 41-56.

-----. "In Defense of Cover Songs." 28.2 (2005): 171-178

Cutler, Cece. "Chanter en yaourt': Pop Music and Language Choice in France." 24.3 (2000): 117-134.