Through Volume 31, Issue 1 (February 2008) - updated February 19, 2008.

A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | R | S | T | U-V | W | Y

A

Abrams, Nathan D. "Antonio's B-Boys: Rap, Rappers, and Gramsci's Intellectuals." 19.4 (1995): 1-20.

Adelt, Ulrich. "'Ich bin der Rock'n'Roll-Übermensch': Globalization and Localization in German Music Television." 28.3 (2005): 279-296.

Aikat, Debashis "Deb." "Streaming Violent Genres Online: Visual Images in Music Videos on BET.com, Country.com, MTV.com, and VH1.com." 27.2 (June 2004): 221-240.

Albert, Werner G. "Dimensionality of Perceived Violence in Rock Music: Musical Intensity and Lyrical Violence Content." 6.1 (1978): 27-38.

Alleyne, Mike. "White Reggae: Cultural Dilution in the Record Industry." 24.1 (2000): 15-30.

Alper, Garth. "Making Sense Out of Postmodern Music?" 24.4 (2000): 1-14.

-----. "XM Reinvents Radio's Future." 29.5 (2006): 505-518.

Anderson, Bruce. "Country and Soul Hits: Manufacturers Strategies and Cross-Over Charactereistics." 6.4 (1979): 284-92.

Androutsopoulos, Jannis and Arno Scholz. "Spaghetti Funk: Appropriations of Hip-Hop Culture and Rap Music in Europe." 26.4 (2003): 463-80.

Aquila, Richard. "Why We Cried: John Lennon and American Culture." 10.1 (1985): 33-42.

Arceneaux, K.C. "The Remix as Cultural Critique: The Urban Contemporary Music Video." 16.3 (1992): 109-24.

Armstrong, Edward G. "The Rapprochement of Country and Soul Music." 6.4 (1979): 316-23.

-----."Eminem's Construction of Authenticity." 27.3 (2004): 335-356.

Avorgbedor, Daniel K. "The Place of the 'Folk' in Ghanian Popular Music." 9.2 (1983): 35-44.