Jeffrey Patrick Chown

Professor

Department of Communication

 
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Educational Background:

Northwestern University (Summer 1985), Post-doctoral work;

University of Michigan (1982), Ph.D. (American Studies);

University of Michigan (1977), M.A. (American Studies);

University of Oklahoma (1976), M.A. (English);

University of Michigan (1974), B.A. (English/Journalism)

Professional Experience:

Northern Illinois University
   Director of Graduate Studies, 2000-present
   Director, University Honors Program, 1991-1994
   Professor, 2001-present
   Associate Professor, 1988-2001
   Assistant Professor, 1982-88

Michigan Technical Institute: Instructor, 1979-90

University of Michigan Graduate Teaching Fellow, 1977-82

University of Oklahoma Graduate Teaching Fellow, 1974-76

Publications and Other Professional Contributions:

Book

June 1988: Hollywood Auteur: Francis Coppola (New York: Praeger Press) 230 pp.

Articles

"Representing the Ghetto Playground: From 'Be Like Mike' to Hoop Dreams," in Vision Question: Journeys Toward Visual Literacy, Robert Griffin, ed., (IVLA: Blacksburg, VA), pp. 149-155. (refereed), February 1997

"Rhetorical Strategies in Abortion Documentaries," in Rhetoric: Electronic, Graphic, and Phonic, ed. Victor Vitanza, (Arlington Texas: RSA, 1991). with Martha Cooper. Pp. 225-240. (refereed)

"On Teaching," N.I.U. Faculty Bulletin, V. 53, n. 1, pp. 3-6 (invited) Nov./Dec.1989

"Making It," Media Education Journal, n. 6, (U.K.) (Published by Comedia) pp. 8-16. (refereed) Autumn 1986

"Adaptation and Intention in the Films of Francis Ford Coppola," pp. 70-77, Seventh Annual Purdue University Conference on Film. (refereed) March 1983

Book Chapter

"Visual Coding and Social Class in On the Waterfront," On the Waterfront, Joanna Rapf, editor, (New York: Cambridge University Press, 2003). (refereed)

Papers Read at Professional Meetings (competitively selected)

February 2005: Florida State University Film/Literature Conference, Tallahassee, FL
Read: "The Documentary Interview as Cinematic Signifier"

November 2004: War in Film, Television and History Conference, Dallas, Texas
Read: "The Road to Fahrenheit 9/11: The Construction of the Michael Moore Persona"

October 2004: Midwest Popular Culture Association, Cleveland, Ohio
Read: "The Dialectics of Documentary Film Interviews"

February 2004: 29th Annual Conference on Literature and Film, Florida State University
Read: "Michael Moore as Text"

October 2003: Midwest Popular Culture Association, Minneapolis, MN
Read: "Documentary and the Unruly Body: The Case of Michael Moore"

March 2003: Midwest Conference on Language, Literature, and Media, Northern Illinois University, DeKalb, IL
Read: "Michael Moore and History"

January 2003: American History Association, Chicago, IL
Read: "Michael Moore's Documentary Radicalism"

January 2002: Florida State University Film/Literature Conference, Tallahassee, FL
Read: "Presidential Masculinity at the Margins: The Continuing Story of Abe Lincoln and Jack Armstrong"

January 2001: Symposium: The Theater of Irish Cinema, Yale University
Read: "New Voices, New Images, New Audiences"

January 2000: Florida State University Film/Literature Conference, Tallahassee, FL
Read: "Visual Coding and Social Class in On the Waterfront "

January 1999: Florida State University Film/Literature Conference, Tallahassee, FL
Read: "Gendering the Nation: Some Mother's Son"

April 1998: Society for Cinema Studies Conference, San Diego, CA
Read: "National Identity in Documentaries from Northern Ireland."

January 1998: Florida State University Film/Literature Conference, Tallahassee, FL
Read: "Cultural Pluralism and Ken Burns' America"

Sept. 1997: Visible Evidence V Conference, Northwestern University
Read: "Reversing the National Gaze: Irish Documentaries About America."

January 1997: Florida State University Film/Literature Conference, Tallahassee, FL
Read: "Hollywoodizing History: Neil Jordan's Michael Collins and Transnational Film."

Nov. 1996: Centenary Conference, Irish Film Center, Dublin, Ireland
Read: "Mr. Spring Goes to Washington: Reversing the National Gaze."

January 1996: Florida State University Film/Literature Conference, Tallahassee, FL
Read: "In the Name of the Father: Irish Film and Hollywood Style"

October 1995: International Visual Literacy Association Conference, Chicago, IL
Read: "Representing the Ghetto Playground: From `Be Like Mike' to Hoop Dreams"

August 1995: Visible Evidence III Conference, Harvard University; Cambridge, MA
Read: "Irish Documentary: Representing National Identity"

Nov. 1994: Literature/Film Annual Conference, Towson State University, Baltimore, MD
Read: "Apocalypse 1897: Francis Coppola's Bram Stoker's Dracula"

January 1994: Florida State University Film/Literature Conference, Tallahassee, FL
Read: "Quantifying the Canon in Documentary Film Study"

January 1993: Florida State University Film/Literature Conference Tallahassee, FL
Read: "First Person Cinema: Challenging the Documentary Ideal"

Nov. 1990: Twelfth Annual Ohio University Film Conference, Athens, OH
Read: "Representing the Unrepresentable: The I.R.A. and Sinn Fein in British/Irish Documentary"
Read: "Cinematic Excess and Violations of Propriety in the Films of Frederick Wiseman"

June 1990: 40th Annual International Communication Association Conference Trinity College, Dublin, Ireland
Read: "Documentary Propaganda and the U.S. Abortion Activist Groups
Chaired: "The Abortion Controversy and the Media: Transatlantic Perspectives."

March 1990: 16th Annual Association of Art Historians Conference, Trinity College, Dublin, Ireland
Read: "Transnational Film Genre: Australian and American Westerns."

June 1988: Conference on Literature and Film, Salisbury State College, Salisbury,MD
Read: "Teaching Documentary in the Eighties."

April 1988: Central States Speech Association, Schaumburg, Illinois
Read: "Documentary in Public Controversy: The Abortion Documentaries." (with Martha Cooper)

Nov. 1986: Speech Communication Association, Chicago, Illinois
Read: "Formal Strategies of the 1984 Reagan Campaign Film."

August 1986:40th University Film and Video Association Convention Ohio University
Read: "Budd Schulberg and Elia Kazan's A Face in the Crowd (1957): A Prescient Look at the Development of Television, Advertising, and TV's Impact on Political Campaigns."

May 1985: Fourth International Conference on Television Drama,East Lansing, MI
Read: " The Burning Bed and the Ethics of Television Docudrama."

April 1985: National Popular Culture Association Convention, Louisville, KY
Read: "Authorship and the Director/Screenwriter: Francis Ford Coppola."

March 1984: National Popular Culture Association Convention, Toronto, Ontario
Read: "Authorship in the Hollywood Context: From Whence Comes Ideology?"
Chaired: "The Auteur Theory in the '80s."

August 1983:37th University Film and Video Association Convention, North Texas State University
Read: "The International Western: The Man From Snowy River."

April 1983: National Popular Culture Association Convention, Wichita, KS
Read: "Milius versus Coppola: The Ideological Background of Apocalypse Now." Chaired: "Apocalypse Now."

March 1983: Seventh Annual Purdue University Conference on Film, West Lafayette, IN
Read: "Adaptation and Intention in the Films of Francis Ford Coppola."

May 1980: National Popular Culture Association Convention, Detroit, MI
Slide Presentation: "From Scarface to The Godfather: Visual Motifs in the Gangster Film."

April 1977: National Popular Culture Association Convention, Baltimore, MD
Read: "The Adapted Novel as a Key to Film Understanding: A Clockwork Orange."

Reviews

Spring 1996: "Television and Democracy" (review essay), The Public, v, 3, n. 2 (Slovenia), pp. 121-125. (invited)

Fall 1996: "Billie Holiday by Stuart Nicholson," (book review) Journal of Popular Music, (v. 20, n.3) pp. 221-223.

Films and Screenwriting

2005: Lincoln and Black Hawk (director) This 52 minute documentary premiered April 28 at Northern Illinois University. In rough cut form it was the feature presentation at the 25th Annual History Symposium, Springfield, IL. It was also screened at the War in Film, Television and History 3rd Biennial Conference at Dallas, TX. It has also been screened at the Hoard Museum in Fort Atkinson, WI and at the Midwest Conference on Literature, Language and New Media at Northern Illinois Univesity. It is being used as a training video at the New Salem, Illinois National Park Service Interpretive Center.

2001: DeKalb Stories (director) This 62 minute documentary premiered June 23, 2001 at the Egyptian Theatre in DeKalb, Illinois to an audience of 900 people. It was also shown March 2, 2002 at the 40th Annual Northern Regional History Fair at Northern Illinois University. This documentary chronicles three stories from DeKalb history: Henry Gurler's development of pure milk, Finnish culture in DeKalb, and the World War II defense activities at the Wurlitzer plant.

1999: John Peter Altgeld: The Eagle Remembered (director) This 59-minute documentary won first place in the History Division at the 2000 Silver State Documentary Festival (University of Nevada, Las Vegas). It had two major public screening while it was a work in progress. It was shown at the Illinois History Symposium in Springfield, Illinois, December 3rd, 1999. It was the featured film at the Midwest Film/Literature Graduate Conference, held at Northern Illinois University, April 7, 2000. On May 1, 2002, it was screened in Springfield, IL for the Illinois History Society.

1998: Barbed Wire Pioneers: Inventing a Community (director) This 53-minute documentary has been screened on Las Vegas, Chicago, Evanston, and DeKalb Cable Access stations. It was screened at DeKalb's Egyptian Theatre December 3, 1998 to an audience of 1200 people and at Baron DeKalb Day to an audience of 500 people. It is now required viewing for NIU Orientation guides and has been catalogued at numerous public libraries. It won 2nd place in the Biography Division of the 1998 Silver State Documentary Festival in Las Vegas, Nevada. Screened at "The American West(s) in Film, Television, and History," Conference, Nov. 9, 2002, Kansas City, Mo. and at the Tehachapi Museum in California, August 2nd and 3rd, 2003.

1997: Screenwriter on four scripts for the MPI Home Video Focus On the Twentieth Century series (Denis Mueller, director). Each script was for an hour long documentary, including: 1910-1920, 1920-1930, 1930-35, and 1935-1940. MPI is currently selling the series to education institutions across the country.

1995: North Woods, 104-page narrative screenplay.

1990: Beauty Pageant, 103-page narrative screenplay.

1987: South of the Border, 104-page narrative screenplay.

1985:Script writer for "The City Manager/Council System," for the International City Manager's Association, twenty-minute video.

1984: Script writer for "Introduction to Health Therapy
Careers" for Elgin Community College, thirty-minute video.


Presentations

April 2004:Presented "Politics and Entertainment: The Case of Michael Moore" at the "New Ideas in History and Political Science Election 2004" conference put on my CLAS for secondary school teachers

January 2004: "Michael Moore and Politics/Entertainment" for NIU Learning in Retirement, "NIU Notable Series"

July 2003: "Lincoln on Film" to Elderhostel: The Civil War and Abraham Lincoln, NIU

2002: Introduced Apocalyse Redux for the Dublin Film Festival Brunch, Irish Film Institute, Dublin, Ireland, July 14.

2002: "Using Film to Teach about Abraham Lincoln" to the Professional Development Conference "New Ideas: Exposing Old Lies with New Truths," at NIU, sponsored by the College of Liberal Arts and Science, October 4.

2002: Film Screening and Lecture, Illinois State Historical Society, Abraham Lincoln Library, Springfield, Illinois, John Peter Altgeld: The Eagle Remembered

2001: Film Screening and Lecture, Lombard Democrats, John Peter Altgeld: The Eagle Remembered

2001: Competitive Film Screening, Flicker Festival, Northwestern University, John Peter Altgeld: The Eagle Remembered

2000: Panelist on "Issues in Public Sphere Studies: A Roundtable Discussion" at National Communication Association, Seattle, WA.

2000: Public Lecture: Kishwaukee College, "Ireland and Film: The Romance and the Real"

1996: Panelist on "Documenting Ireland" at the "Irish Film: A Mirror Up to Culture" conference sponsored by the Virginia Foundation for the Humanities, Charlottesville, VA.

1994: Keynote Address, Honors Council Illinois Region Spring Conference, "What is Generation X?"

1993: Guest Speaker, NIU Friends of Library, "Hollywood and Literary Adaptations."

1992: Guest Speaker, Geography Department, "Documentary Representation of the Columbian Exchange," (with Dan Dillman, Geography Department).

1987: Guest Speaker, "Media Messages: What They Really Say," at the "Arrive Alive--Don't Drink and Drive" Conference, Freeport, Illinois.

1985: Guest Speaker, "Milius, Coppola and Apocalypse Now," Auburn University.

1985: Guest Speaker, "The Cotton Club: Film Versus Historical Reality," Brandeis University.

984: Guest Speaker, "Ethics of Film Programming," Region IX Association of College Unions Fall Conference.

Grants and Awards: (since 1988)

2005: NIU Presidential Teaching Award

2004: Sabbatical (Fall Term), NIU

2001: DeKalb Foundation Grant, $10,000 for Avid Editing System (with Drew VandeCreek)

2001: Semi-finalist, Angelus Awards, Los Angeles, California, John Peter Altgeld: The Eagle Remembered

2001: Production Grant, Illinois Humanities Council, $10,000 for Abraham Lincoln and Society. (with Drew VandeCreek)

2000: Production Grant, Illinois Humanities Council, $10,000 for Abraham Lincoln and Society. (with Drew VandeCreek)

2000: 1st Place Award, Biography Division, Silver State Documentary Film Festival, University of Nevada, Las Vegas, for John Peter Altgeld: The Eagle Remembered

1999: Studs Terkel Humanities Service Award (Illinois Humanities Council) (nominated by Mayor Bessie Chronoupolous, DeKalb, Illinois)

1999: Production Grant, Illinois Humanities Council, $10,000 for John Peter Altgeld: The Eagle Remembered

1999: Production Grant, Northern Illinois University Foundation, $5,000 for John Peter Altgeld: The Eagle Remembered

1998: 2nd Place Award, Biography Division, Silver State Documentary Film Festival, University of Nevada, Las Vegas, for Barbed Wire Pioneers: Inventing a Community

1998: Production Grant, Dillon Foundation, $3,000 for Barbed Wire Pioneers: Inventing a Community

1997: Sabbatical (Fall Term), NIU

1989-90: Fulbright Research/Lecture Scholarship, Ireland

1989-90: Sabbatical, NIU

1989: NIU Nominee for CASE "Professor of the Year" Competition.

Teaching Responsibilities:

Courses taught since last promotion

COMS 356/H: Critical Interpretation of Film/Television
COMS 358: Media Production II
COMS 454: Transnational Communication and Media
COMS 457: The Documentary Tradition
COMS 458/496M: Special Topics in Media Studies
COMS 460: Media Theory and Criticism
COMS 462: Film Theory and Criticism
COMS 466: Narrative Scriptwriting
COMS 549: Media and Culture in Ireland
COMS 550: Seminar in Media Studies
COMS 552: Advanced Problems of Media Production
COMS 557: Documentary Theory and Practice
COMS 597: Independent Study (approx. 3-4 per semester)
COMS 599: Thesis

Service on Thesis or Dissertation Committees:
20 M.A. Theses Directed:

2003: Paul Butler, "Save Them: The Life of Paul Radar, Christian Radio Pioneer" (55 minute film)

2002: James Macon, "The Underground Railroad in DeKalb County"

2000: Beth Schwar,"Ordinary Greatness"

1998: Gunn Iren Kleppe, "Live Long and Prosper! Today's Myths as Projected into the   24thCentury"  David Shulkin, "Behind the Scenes: WXYZ"

1997: Denis Mueller, "Citizen Soldier: The Story of Vietnam Veterans Against the War"

1996: David Chaytor, "From the African Drum: Challenging Africa's Media Image"
Lori Liggett, "Turning the Wheel of the Law"
Laura Vazquez, "Turning the Wheel of the Law"

1995: Ann Donahue, "Messages: A Video Examination of AIDS Awareness, Education, Care, and   Research Programs " Christopher Miller, "Recordable Compact Disc Systems: An Analysis of   Their Slow Introduction"

1993: Carole Burke, "Shock Wave X: Rhythms of Our Generation" Sharon DeVita, "Shock Wave X:   Rhythms of Our Generation"

1992: Amy Bybee, "Expressing Aids"
Michael Meadows, "Expressing Aids"

1991: Sue Hartung, "Corporate Television: A Merger of Mass and Organizational Communication Theories"

1989: Anne Gravel, "Self-Reflexivity in Documentary and Ethnographic Film"
Donald Hankins, "The Town of Libertyville and Its Past Video Production"
Katherine Ware,"UFO's Now: A Video Production"

1986: Amy Kiste,"The Image of Journalists in Selected Contemporary Films, 1976-1986"

Directed 14 Undergraduate Honors Theses:

Undergraduate honors students: Austin Bartlett, Dan Belue, Arnie Christiansen, Heather Donaldson, Danielle Dushek, Wilfredo Hernandez, Esther Herrman, Iren Kleppe, Lynette Kleisner, Amir Mohabbat, Jeremy Page, Tom Rogal, Jonna Schnittler, Brian Vazsily, and Abel Villalobos.

Service on 5 Thesis or Dissertation Committees:

2005: Lynette Kleisner, Phyllis Gooden

2005: Christina Dixon

2004: David X. Lee, "Hawaiian Slack Key Guitar"

1999: Brian Shelton, "Documentation for the Creative Thesis Motion Picture: The Plot Against Me"

1992: Shane Miller, The Development and Application of a Theory for Analyzing Visual Symbols

48 M.A. (Non-thesis) Committees Chaired (Scholarly Paper Advisor):

2005: Tim Mosbach, Kasmirah Joyner, Jan Soltys, Aaron Adams
2004: Christopher Johnston, Matt Pease, Kent Manthey, Andrea Leppert
2003: Matt Kneller, Amir Mohabbat, Ryan Breen
2002: John Gelsomino, Amber Howard
2001: Mandy Davis, Christopher House, Deena Kerwin, Jason Pittman, Abel Villalobos, Charron McFadden, Magda Delicka
2000: Caterria Brown, Les Dart, Lynn Glitto, Erik Hanson, Windy Mack, Heather McIntosh, Marcia Medina
1998: Couna Martin, Erica Summers, Brandon Workman
1996: Will Anderson
1995: John Norland
1994: Jovanna Canas, Dan Donohue
1993: Raj Chohan, Andrew Gribble
1992: Thomas Evins
1991: Nandini Sikand
1989: Laura Cison, James Moore
1988: Nancy Hackl ,Phillip Hall
1987: Lynn Brownson, Cynthia Krohn, David Nchia
1986: Tim Hart
1985: Carol Carlson-Liu, Paul Golevicz
1984: Nancy Wecker

Service as Member of 73 Completed M.A. Committees (non-thesis)

2005: Nattira Nakasiri, Kristie Woodin, John Baldauf, Lynn Hamilton, Greg Hunt
2004: Ken Beck, Mark Dixon, Matt Duncan, Rene Koeller, Doug Provost, Floyd Sanders, Karen Frost, Amanda Seiler
2003: Kristy Murray Holtby, Stacy Trociewicz, Michele Savage, June Jelm, Judy Wohead
2001: Shannon Alexander, Sarah Metivier

2000: Jessica Baldwin, Cheryl Beese, Erin Jackson, Paolina Milana, Charles Steele
1999: Kelly Doyle, Amanda March, Elizabeth Roden
1998: Jen Metz, Amy Eiduke, Allyson Vaulx, Brian Wiencek, Dawn Winter-Stippich
1997: Eleni Alexoupoulus, Ken Fruitrail, Cyndi Howell, Dan Zimney
1996: Phil Dalton, Linda Lang, Amy Langenecker, Timothy Mix, Gwenn O'Malley, Jennifer Peeples
1995: Robert Collins, Christopher Curtin, Bob Foskett, Weijen Lin, Steve Netti
1994: Duane Baldwin, Bob Mukherjee
1993: Brett Coup, Jan Torrance, Laura Wackwitz
1991: Carol Dostal, Radhika Mongiz
1990: Michelle Gilbert, Valarie Latimier, Ann Schubert
1989: Greg Cazabon, Julie Gwiazda, Mary Lazier
1988: Andrew Anguiano, Adam Levy
1987: Marketa Holecek, Christian Lee
1986: John Bitterman, Robert Hall, Catherine Liu
1985: Gene Eble, Elizabeth Rivera
1984: Russell Killion
1983: Edward Griffith, Patricia McLamore

Service as Member of 21 exam committees in English Department M.A. in Film/Literature Program:

2003: Mark Dixon, Sarah Stockwell, Cheri Pettey
2002: Kelly Sanders, Larissa Kessler, Jeffrey Jarot, Maggie Doyle
2001: Nathan Gordon
2000: Rachel Michaels, Jennifer Rogriquez
1999: Kelli Keltz, Lynn Nelson, Brock Silvey
1998: Michelle Glusman, Sephanie Kummerer, Kerry Schindl
1997: Phyllis Gooden
1996: Michael Lahey
1995: Mona Bedwan, Amy Peterson
1994: Deborah Booth
1988: Patricia Caille, Karen Cooper, Greg Mearns
1984: John Ernst, Cathy Zeek
1983: Debbie Bobinsky, Sara Heckman, Karla Nagy

Service as Member of 6 exam committees in English Department Ph.D. in Film/Literature Program:

2000: Phyllis Gooden, Daryl Larson
1994: Christopher Wieglos
1993: Steve Babos
1992: Rachela Morrison
1986: Joe Wappel

Honors and Other Achievements:

2000: Adobe Premiere Non-linear Video Editing Seminar. Funded by Faculty Development Office.

1997:Departmental Graduate Teaching Award (with Gary Burns)

1988-89:Excellence in Teaching Award, Northern Illinois University

1989/1990: Committee for the Improvement of Undergraduate Education Grants, "Enhancement of the Film Library as an Educational Resource" (twice funded)

1988: Committee for the Improvement of Undergraduate   Education Grant, for the development of audio-visual materials for the COMS 356 course.

1985: Tuition Grant from Northwestern University, and Living   Expense Stipend from the Graduate School, Northern Illinois University to attend the Ninth Annual School of Criticism and   Theory Summer Session at Evanston, Illinois.

Professional Service:

Manuscript Reviewer Style (James Mellard, ed.), "Journal of Popular Music" (Gary Burns, ed.), UMI Research Press, Harcourt Brace Jovanovich, Prentice Hall, St. Martin's Press, etc.

Institutional Service (since 1988):

1994-2005: Department Graduate Studies Committee (Chair 2000-present)
1992-2005: Secretary/Treasurer, Phi Kappa Phi, Chapter 160
1992-2005: Co-Director, Media and Culture in Ireland International Studies Program
1995-2000: International Studies Program Advisory Committee
1994-2000: Fulbright Graduate Study and Research Abroad Program Campus Committee
1993-1999: Steering Panel, IBHE General Education Transfer Model
1995-1998: Research and Artistry Committee, Graduate School
1995-1996: Departmental Teaching Evaluation Committee
1995-1996: Department Governance Document Committee
1994-1996: Departmental Personnel Committee (Chair 1995-1996)
1993-1994: Board of Governors Committee to Select Outstanding Professor
1993-1994: Board of Regents Panel on Affordability in Higher Education
1991-1994: Academic Procedures and Standards Committee (ex officio)
1991-1994: Committee for the Improvement of Undergraduate Education (ex officio)
1991-1994: Academic Affairs Undergraduate Tuition Waiver Committee (Chair)
1991-1994: Advisory Committee, Illinois Math and Sciences Academy
1984-1992: Film Library Advisory Committee
1990-1991: Library Advisory Committee (Founders' Library)
1988-1989: College Council
1987-1989: Collection Development Advisory Committee's Subcommittee on Non-Print Media (Founder's Library)
1987-1988: Corresponding Editor (U.S.), Media Education Journal (U.K.)
1987-1988: Departmental Governance Document Committee

Public Service Activities:

2004: Assistant Director for A Place to Grow (2004), (20 minutes) commissioned by DeKalb Community Consolidated School District 428 bilingual introductory video. (Currently in use).

2003: DeKalb Park District: Something for Everyone (2003), Co-produced and directed with Laura Vazquez. (12 minutes). Commissioned by the DeKalb Park District to accompany their application for a national award sponsored by the Sports Foundation, Inc.

Screened at the National Sporting Goods Association Awards Ceremony (in partnership with the National Recreation and Park Association), Denver, CO, 2003. (The District won a National Gold Medal Award, Class IV, 2003 based on the documentary).

2001-3: Lectures for the Institute for Learning in Retirement Series, "Images of Lincoln in Hollywood Film."

2001: Speaker: "Historical Documentary Filmmaking," Kiwanis Club of DeKalb

2001: Speaker: "Purposes of International Education" at Kishwaukee College.

2000: Videotaped S.A.D.D. drunk driving simulation for DeKalb High School

1999/2000: Barbed Wire Pioneers was a featured event at Baron DeKalb Festival.

Contact Information:
Jeffrey Chown
Graduate Director
Department of Communication
Northern Illinois University
815-753-6989
jchown@niu.edu